Monday, January 12, 2015

HonesTea - Letters

Letters. That is the important thing.

I had it all planned out in late night inspiration. That I would try to do a creative thing each day of the week. Updating this would be one of them, such as it is.

But letters.

I wanted to write one every week. But doing so requires recipients possessing at least two of three qualities. First, a willingness to receive such a gesture, then an appreciation of the time it takes to do so, and/or the courtesy to respond in like kind.

It takes two parties for a letter to be a successful endeavor. I am fortunate to be acquainted with a few people fitting that criteria, and there are probably more if I had the courage to propose such a thing. For a while during school, I wrote letters to myself to read later. School was stressful at times, and I wanted an outlet to channel that frustrated creative energy into a medium where I could review it at a better time. They were personal in their insecurity and questioning as to what I was doing with my life if one of my main enjoyments was reading and occasionally commenting in notes my thoughts on them.

I was miffed at the notion that my college library was underutilized in proportion to its wondrously packed hallways of books. The most popular features of the university library were its computers and meeting rooms. So I set out to leave notes in certain books, as an experiment to see whether they circulated at all. I was delighted when about 8 months later, a person found my note in a Neil Gaiman graphic novel and told me that my note was appreciated.

It is the little things like that which can really make my day better. During New years, I watched a Demetri Martin special "If I" with a friend. I had seen it before, and I remembered enjoying it. (The entire program is available on Youtube). It is an autobiographical routine in which Martin explores his life through the lens of the different dictionary definitions of "If." He is too clever for himself at times and the audience sometimes needs a second or two to catch up. But the presenter is patient with them, allowing for pauses between his narration of habits and motivations which led him to where he is now. Martin loved brain puzzles as a child, then he made his own puzzles, then used everyday life as a puzzle, then himself as something to be solved. It is a progression into introspection and he admits of the dangers of treating life as an abstracted game.

My friend watching it didn't find it as funny as I did. He found it to be painfully true for where he is in his own life. And it is. I was laughing at the accuracy of his observations in application, but the internally-directed humor helps dampen the blows he takes. He doesn't blame the audience for not examining their lives better, but offers his life as a living example of the troubles he had when he did exactly that.

Little things add up. And getting a personal letter in the mail is delightful. It makes me very happy. But in order to get that feeling, I have to find someone else who also finds joy in that as well and is willing to reciprocate. I worry that I will run out of interesting things to say, but I shan't know if I don't make the attempt to exhaust whatever I have at the moment.

These days, I look forward to coming home and having a hot cup of tea. It is a seasonal habit for me in these cold days and gives me motivation to carry on during the duties of the day. It is a ritual, a closure, and a restorative all at once. What a wonderful little subculture it can be, though I know it is quite a public one elsewhere in the world, I can pretend it is a private indulgence for me alone.

Good night.

Monday, January 5, 2015

Annual - Annoyance

(The title was derived from my laptop named "Beautiful" being grumpy and refusing my efforts to reach this blog and make a post. It is about 5 years old and I probably could have taken better care of it. However, my combination of fondness for its familiarity and disinclination through a cheap streak at the cost of replacement means I am most likely going to make do with it for a while yet.)

Every year, I tell myself is a rededication. Nothing outrageous, but an opportunity to mark off milestones and make new habits. Alas, I run out of steam and get distracted by other things. Mostly, I wonder if what habits I chose really matter. Do they mean something to someone else? Is it selfish to pursue these habits at the expense of other things?

I don't know for certain, and thus get worried over nothing until I realize that time has gone by and I have accomplished nothing but vanity. Nothing will matter if there is nothing given or risked. I fear that I shall go through my life with the same mantra, the same thoughts put in different words. but it is all that I have at the moment and will likely always be.

So I read other peoples work, comforted that it is not mine. That I am a spectator, though not often a critic. I am apart from the creative process, but can get excited and point others in the same direction. "Look! Look! This person is saying something on my wavelength! If you want to understand me, only presented better, this is what you need to know. This is what entertains me. This is what thrills me. And because this other person is able to communicate this, I am obviously not alone in that interest or perspective."

It is lazy, admittedly. But it depends on what I ultimately do with the knowledge and experience I have accumulated. Mostly I do things of value when I am not noticing, when it becomes natural for me to do certain things. I want a natural life, one in which I grow. But it is a matter of perspective. Maybe you'll gain from whatever fruit I am able to produce from the sources of entertainment and interest that I find and share. That is a pleasant thought.

Consistency. That is the key. To keep persevering and building a commitment to an end.  This blog is somewhat a collection of snapshots of my mind at certain times. Like with my face, certain themes stay recognizable, but depending on the time interval between captures and the amount of sleep I've had before it, the expressions in the portraits change.

I am usually spurred to write when some external event occurs to encourage it. In this case, it is a cocktail of few ingredients. The new year and the reorienting in time and place that it brings. A vague poking about on my part towards my lethargic facebook account to see if I should awaken it. Lastly, the amount of enjoyment I am getting from reading Warren Ellis' "Orbital Operations" and the DeFractions' "Milkfed Criminal Masterminds" email newsletters.

Writing as a process is fascinating to me. Not always as the mechanics and the rules as if it were a machine, but from the operator and conductor's point of view. How does a writer process information and convert it into communication and narrative? Ellis is a grumbling gardener of a writer - his ideas sprout from a rich assorted fertilizer of environmental and economic theories of rise of declines in the modern world, ambient music seeded along other sorts of podcasts, and composted rejected ideas which collapsed on themselves before they saw the light of public purview. I love this weekly newsletter so much, with its grim humor and commentary on trends and their applications and implications.

Milkfed Criminal Masterminds' updates are fewer, so I don't have as much material with which to judge its tones, but Matt Fraction's December newsletter was amazing. It was a story told through chronological coincidences and rediscoveries, of how pain, addiction, and death were sometimes the risks and scars of his courting of the creative process. It was beautiful, heartbreaking, bitter through the hard times, and sweet through the knowledge that he has survived those demons for now.

There is hope, though in the short scenes and stories that I have crafted so far have not always been clear or hopeful. I get lost, whether in terms of where I was intending to go, or in not leaving a distinct and engaging trail for an audience to follow. A few of my attempts have strained the friendships I've had and discouraged me from trying my hand at writing short fictions.

Writing is work. Especially editing. I have heard that the first draft is for the writer (with door closed), the second is door open (with a few trusted people let in to review). I don't always have the confidence for the second go-around. It is cowardly, and I need to change that if I want to be a better writer. It is a tricky balance to be in tune with the work but not emotionally connected in a way that will cripple at the first wave of criticism. I guess that is why there are drafts. If I want something to last and stand, I need to care enough that it has a good foundation and presentation from more than one angle or perspective. That I would not be discouraged by it falling apart, but to take the pieces that stood up well and recycle them into the next attempt.

This is mostly a reminder to myself. It is not a resolution, but nor is it a passing fancy. Let's call it a consideration for now, until it gets higher than a few days off the ground to be worth a different title.

Wednesday, November 19, 2014

Reverence - Idolatry

Today was Wednesday, which makes it special. Tuesday is typically when new music becomes available and Friday is when new films are presented in theaters. But Wednesday? That is when new comics stock the shelves of retailers.  Collecting series is one of my current hobbies, and I enjoy the ability to patronize the intersection betwixt artwork and writing in the storytelling medium.

Of course, I could just buy picture books. But the plotting tends to be better in these offerings, even though it can run more expensively in the long run. (Pun intended.).

I saw that Kieron Gillen & Jamie McKelvie's Wicked & the Divine trade was available last week. It was beautifully designed: a white cover featuring a single feather quill aflame. Volume 1: Faust Act. Very clean and only $10 for the collection of 5 issues.  I had already bought the individual issues from the same shop, and had pre-ordered this collection online. 

However, I had not heard back from when it was being shipped. So I bought the book at the store today.

This raised many questions in my head. Why did I need the trade when I had bought it twice over already? Why haven't I even read the individual issues? Why wasn't the trade I ordered being shipped yet to me?

The answers are: Because it was there; The issues are equally as beautifully designed and I wanted the additional content featured at the backs of the issues for later reading, but not for the first go through; and Amazon is stubborn and publishers don't want to accommodate the giant online retailers' bullyish demands.

The point is, I like the creative team of Gillen & McKelvie, having followed them from other projects such as Phonogram and the Marvel:Now 15 issue run of Young Avengers.  The pair of creators are innovative in their layouts, imaginative in their plotting, and clever in their execution.

But there is a greater issue involved, apt in irony or portent. Somehow, I had a creative reverence for the idea of them scripting this series concerning a pantheon of gods who are fated to rise like shooting stars and burn out brightly.  I read the first issue over lunch and was delighted that my anticipation was met by the actuality of the content.

I wanted the issues because the covers were just wonderfully designed, but didn't want to open them.  This, I realize, is idolatry: I have taken something that was intended to be read, and denying myself that use of it.  They just sit in their protective plastic sheathes and look pretty.  I have rendered them useless to me, it is a wasteful and foolish choice of action.

I have full knowledge of this, and yet I am disinclined to change my mind. This was not originally intended as an ironic performance of an object lesson, but it could be one now that it has happened.  It is a metaphor and symptom of a greater habit of mine.  I sometimes idolize and idealize people and things external to myself.  Recognizing that I do not naturally have control over them, I categorize them within a mental box, resisting attempts for them to grow in purpose and direction.  This is a type of weak control and ownership over the object, a smaller reflection of a greater reality.

First impressions stick with me because they are easier to remember and require less energy to maintain.  As a resistance to this tendency to simplify things, I am even more delighted when people and things surprise me. This allows me to see them anew and reassess the dimensionality and potential abilities. I have to adjust my "box" and acknowledge that I have been limiting them in my mind.

Reverence is an attitude. But whether it is a healthy or a crippling one depends on how it is leveraged in relation to the object.  If the object's usefulness to me is the focus of the reverence, it is idolatry. Sooner or later, it will disappoint me and there will be an uncomfortable period of wondering whether the fault is in the object or myself for trusting it to serve that purpose for me.  It is a jealous and internal worship. If anyone else is perceived to lay claim to my use of the object's properties or claim better understanding of it, I become aggressively defensive and sensitive of my bond to it.

But there is a reverence which can be used for healthy purposes. When I focus instead on the object's relational usefulness to everything else, it converts into praise. I become an evangelist to everyone around me, seeing how much I enjoy the object, I believe everyone else's lives will be made better by acquaintance with it as well.  I am open to new opinions and perspectives, because I want to have a greater understanding of its appeal. I want be able to explain its merits to everyone, the multiple layers of perspective and enlightenment.  Every new piece of information and insight is a revelation to share.

I know that on a small scale, The Wicked & the Divine is just another comic. But it is one that I enjoy and through this enjoyment, I gain a greater goodwill that others might also find something that they will enjoy as much as I do.  On a larger scale, I want my relationship with Christ to shine through in all that I do. My conduct and enthusiasm for His love and care for me, I want others to be as blessed as I.

But there are some people who look at comics and are prejudiced. It is a low art form; lots of capes; muscled men in tights and women as eye candy; wham pow bang; it is an expensive price tag for such a small thing; comics are for the immature who never grew up; and so forth.

It is a hard proposition to convince such people that they might be hasty in such judgments. Arguing with them that they are being wrong can make these people more stubborn and set in their ways. Without a relationship upon which to leverage trust, I would become just another passionate zealot to dismiss as irrelevant or even irritating.

The same principle can hold true with the concept of Christianity. People think that they understand it well enough already or that no one in their right mind can understand it because it is so much bologna. Preconceived notions about what religions are and what they mean can close people to different perspectives or ideas explaining who we are and what we can become.

Thoughts about religion and spirituality can be as messy as a comic book series with missing issues in between. Bits and pieces of scripture, commentaries, and theologies are stitched together, patched with scientific studies, philosophies, epigrams, and cosmological theories of everything.  It is like putting Marvel and DC comics series next to each other and demanding that they make one streamlined continuity of logical plot.  It is not that they are irreconcilable: rules in one universe can help you better interpret mysteries and points of confusion in the other.  It is just that each universe has its rules and logic for how things are now and how they came to be.

Modern science is based in skepticism, that nothing is true unless it can be proven to be an accurate result for the majority of the time it is tested.  But in order for science to be effective, some assumptions of constants and trustworthiness have to be in place.  If the human mind itself is an unreliable or imperfect tool by which to measure other things, we as a race are screwed before we even had a chance.  You have to have faith in something as a starting point, as an absolute by which you can measure all other things in comparison.

This is running long. I don't want my exercise in distilling the ideal of idolatry to idle away your time.  I am grateful for you sticking around with me to the end. I hope that you encounter many things in your life that give you reverence for life and enthuse you to become an apologist in your own way. Good night.

Friday, October 10, 2014

Anniversary - Forth

I remembered that I had made an anniversary honoring post for my older sister and her husband. I told my sister that I would make an effort to make one this year as well.

I don't recall whether I have done it these past two years. Though I could easily check, I think that anything that spurs me to make an effort to write shouldn't be self-questioned. Therefore this superfluous introduction as I talk myself through this.

Four years. It doesn't seem that long ago to me. But it is wonderful and it makes me very happy to notice and know.  Truth is, that I feel like I shall always be somewhat in her shadow, but I enjoy the shadows. It makes it ever so much easier to observe proceedings as they take place.

I have always admired her, and it gives me even more joy to know that she is in excellent hands. Her husband, John, is one of the finest fellows I have had the pleasure of knowing.  When he began courting my sister, he asked my opinion on their relationship as her sibling. I replied that I had no such reservations, it baffles me that he considers me one of his best friends.

It is one of the highlights of my week whenever I get to see them, to way they interact and support one another is a beautiful thing to witness.  They both have a knack for making work fun, of using whatever tools they have available to engineer a fun solution to any creeping possibility of boredom. They both go the extra mile in their efforts to add a personal touch to their projects. To make sure that those affected by the result are pleased as punch, whether they would ever notice WHO did the little things isn't as important as the things being done.

They are active, but are not so consumed by their schedule's demands to miss the opportunity for quiet moments. Kels and John have taught me many things, in games and in life.  Whether it is a fond cribbage match, original Super Smash Bros. on the N64, or telling stories, their company puts me at ease.

I did not manage to raise a mug of coffee in salute, but was able to share bottles of IBC root beer with them earlier this week.

Traditions change as the people within them shift.

May they shift gears together for many more years, as they did in their manual Civic, until it becomes as instinctual as an automatic transmission in their current Intrigue.

Saturday, October 4, 2014

Classic - Class

This Saturday did not proceed as originally scheduled, but I enjoyed it for what it was anyway. I was just happy that my friends wanted to hang out with me all day. It started with a drive to visit my sister and brother-in-law, some of the best friends in my life. Once arrived, I caught up with a third friend who I hadn't seen in a couple of weeks. We all went to breakfast at a newly opened Chick-fil-a, telling stories about our week past and my sister regaled us with tales from childhood.

I admire her ability to recreate a memory - the words she chooses are descriptive and convey emotions very effectively. As a writing tutor at the university from which I graduated, one of her exercises involves free-writing early experiences from her life. As she brought these tales to light, I prompted her with suggestions and details to learn her perspective on the shared memories.

When we returned to her home, she sat down to commit these tales to paper, while I trailed her husband around their property. It was my task to take notes on tasks that he intended to finish before pre-winter cold settled in to make such activities inconvenient. At the end of the tour, my brother-in-law took his 3-wheeler out for a joyride and offered to let me take the reins. I had never piloted one of the contraptions before and he casually explained that the shifter was under the left foot, the rear brakes on the right foot, and the throttle was a thumb press to the right. I am not a natural multi-tasker, so I started out slowly, kicking it into first gear and tapping the throttle.

Did I mention I was standing up because the seat cover was loose and the exhaust pipe was therefore exposed? Yeah. There was that concern too.

I stutter-stepped up his gravel driveway and, when I reached the concrete, managed to execute a full turn and head back. It was something that my brother-in-law enjoys doing - introducing his friends to new experiences and watching their reactions. This 3-wheeler was his new toy and "one of his greatest recreational pleasures in life at the moment."

I headed back to the house, jittery from the short ride and the two cups of coffee I had drank over breakfast. My sister offered me another cup from a freshly pressed batch, and I drank it while reading X-Men: Schism by Jason Aaron and multiple artists & Sacrifice by Sam Humphries and Dalton Rose. I enjoy Aaron's writing because the dialogue often connects with my sense of humor & there are moments in the script that lent the mutant characters touches of humanity and dimension.

Humphries' tale required a little more attention on my part to understand what was going on in the story, but I enjoyed it as well for what it was. His take on Uncanny X-Force for Marvel was what introduced me to his work, piquing my curiosity enough to follow him to this independently published graphic novel. I listened to Humphries talk about this book for his interview with Kieron Gillen's podcast "Decompressed."

My third friend rejoined my sister and I in the house after popping back to his place for a change of clothes. He and I listened to my sister's updated accounting of childhood memoirs, one of which featured humor at my younger self's expense. I didn't mind: It was a good tale and I am not that child any longer. It made me laugh and my friend did as well, relating a similar experience from his family's memories.

As my sister returned to her writing, my friend sat down to a game of cribbage, which I lost. Then a game of golf - similar to polish poker, except with nine cards instead of six - which I lost as well. I smiled and congratulated him on his uncanny luck, then rushed off to meet another friend at his campus cafeteria for dinner. As he is an RA, he is responsible for the enforcement of no alcoholic beverages in the dormitories. I brought along a 6-pack of IBC Cream Soda bottles as a friendly gift to play with the spirit of the prohibition while technically not breaking it.

He was happy to see me, thanking me for my presents of the drinks and a mix-cd featuring mid-2000's pop songs from my music library, but even more so with my presence.  He reciprocated on the second gift with a mix of his own. (As I listened to the first 6 tracks on my way home, it has a considerably more 60's-70's ballad pop aesthetic.)

As we talked over dinner, we quoted Mean Girls, G.K. Chesterton, Scott Pilgrim vs. the World (mainly me as I am very fond of that movie), Princess Bride. I was taken aback when my friend mentioned he had only seen the last listed but once, and that was perhaps 9 years ago. Other friends greeted my friend as we ate, because he is a friendly sort of fellow and knows many people on campus.

As we walked back to his dormitory hall, we passed by a television... which happened to be playing the boulder scene from Princess Bride. I grinned at him and insisted that this was too coincidental an opportunity. Alas, I was that horrible person who got way too much enjoyment trying to quote every other line of dialogue, more often than not messing it up. (It had been a little while since I had last seen it as well.).  An advertisement announced that Matilda was to be shown next week. My friend and I had discussed Roald Dahl's books over dinner, and I reminded him of the horrible plot elements from Charlie and the Chocolate Factory. I had been reading it to my two youngest sisters before bed and had learned from writer Patrick Rothfuss's take of its being a horrifying children's tale if read and taken seriously. (Rothfuss's review features some profanity, but is quite eye-opening and accurate.)

Although I have never seen the movie Matilda, I am very fond of Mara Wilson now that I follow her on Twitter. She is a wry and well-adjusted former child star who does not suffer fools lightly. And she plays the Faceless Old Woman who Secretly Lives in Your House in the podcast Welcome To Night Vale.

During a commercial break, I learned that my friend had performed in a talent show on campus and I complimented him on his snazzy style of piano-playing. My friend was pleased with my sentiment and told me that I didn't have to be so nice. I told him that "If I am not being 'too much,' I am not being enough." That made him laugh and he insisted on writing it down. I feel that way with most of my friends. I think that they are fantastic and am happy that I get to spend time with them.

After the Princess Bride ended with the words, "As you wish," the channel started The Sandlot. The only time I had seen that movie was with this friend, and it was after a poker night held at his house. I was satisfied with that being a one-time memory and it was getting late in the evening, so I bid my farewells and started homeward.

Good night, readers, good night...

Thursday, October 2, 2014

Boxer - Endings

As I have been working these past weeks, my mind dislodges previous memories and the impressions left behind are like little vulnerabilities. Not pain, but acute feeling in those areas, so I poke about in the memory wondering why it has come to light now. One of these is the memory of Boxer, the farm horse in Animal Farm by George Orwell. I don't typically reread books once completed, but Orwell makes a compelling argument to consider it on a case-by-case basis.

A revolution takes place on a farm, the pigs mastermind a plan to overthrow the yoke of their farmer and start their own government. As the book continues, the pigs gradually succumb to power's allure and become corrupted masters of their fellow creatures to a crueler degree than their former farmer. But it is worse because the pigs call this government "freedom" while enforcing psychological fear tactics, while before, animals knew they were slaves and did their jobs but were otherwise free.

Boxer is the farm horse who patiently endured the farmer's demands, but believes in the cause when the pigs propose this new government. His faith in the cause never wavers, even as the pigs go from making hiccup mistakes in government to outright treason of the original social contract. Whenever there is difficulty, Boxer repeats his mantra. "I must work harder." Boxer is a tragic character for many reasons, but is admirable all the same to me. Yes, he is being exploited, but I guess we all are in our own ways. I have my own deceptions which pain me to acknowledge. I want to grit my teeth and redouble my efforts instead of admitting weakness.

In the end, this character really sticks out as excellent in my mind, and though he isn't human, his flaws are altogether too much so. Animal Farm is a satire, an allegory, a modern day parable. It is many things. It is a story and the readers will each take away something different from the text.  But there is a commonality of feeling and reference, though for varying reasons and amount of identification with the cast.  I enjoy stories that connect with me emotionally and make me care about what happens to the character.  Some ongoing stories I follow for the arc of one character.

To see what happens to them.

I am conflicted about endings, as they are a difficult thing to perform. They have no obligation to satisfy everyone, whether they be fictional or real life, but I can blame the writers in fiction. Perhaps they didn't give the justice I believed it should have been bestowed, but they owe nothing to their audience except to entertain their thoughts and attentions in exchange for time and money.  Real life is trickier, as often I have no one to blame but myself for my lack of peace with any endings I encounter.  Bitterness after the parting of ways with another, be they dead or dead to me. Bittersweet farewells as time was cut too short between diverging paths in life or death. But every so often, I have the grace to recognize an ending and enjoy it. The closing of a book after the final chapter (satisfying thump as I flip it over and sigh). The parting embrace of a friend as they go off to a new adventure (“For you shall go out in joy and be led forth in peace." - Isaiah 55:12. It lies in script above my back door at home).  

And so many other smaller ones which I forget.

Until a time comes when my mind dislodges one of these memories, drifting like a fall breeze, and brings a smile to my face as it all comes full circle once more.

Wednesday, September 3, 2014

Walks - Bookshops

Today I used my lunch break to go for a walk in Bloomington. I was seeking out which way would lead to a Half Price Books, as I adore browsing their stores and this one is an Outlet, giving me visions of a larger storefront. (And, of course, a greater potential selection.).
However, it wasn't meant to be as I was  unable to locate it on foot. That was only an excuse though, because my job requires little physical movement. The idea of searching town for such a place stirred me to a brisker trot.

I love being around books as some people love clothes shopping. I go to used bookstores like my friends go to Goodwill locations. There is a thrill of a rescuer, finding treasure from among a previous owner's castaway items. But once home, I don't always try the books on for size right away. They tend to sit on a shelf until I decide my mind and mood suit that offered adventure or educational opportunity.

I think in terms of examples relating things to other things, the relationships in between concepts and reality. It is how I perceive and contextualize the world. Clothes and food are nice, but my mind is even more hungry for new information and stories through which they shall be remembered for a time. My brain at any time is like a piece of paper - scrawled over and over with new markings on top of old. These newer ones are fresher and easier to focus upon and understand the workings, but the faded areas can still come to light when held up in the right time and place.

I checked the time. I had an hour for this walk and I had already used half of it. I walked into Caveat Emptor: Used and Rare Books. Ever since noticing it a few weeks back, I intended to use one of these breaks to explore the interior. Now an opportunity had arisen and I seized it.
The front area of the store had a cd rack, filled with a mish mash of albums I had never heard nor was likely to pick up from an ignorance of their nostalgic pull. The store looked like setting in a novel, not a storybook. Not perfectly laid out and clean, as there were faded and printed comic strips hanging on the ends of shelves, handwritten sectional signs to side rooms. A setting where time forgot to move for a while. Where books feel like they are awaiting the arrival of their prince or princess to wake them from long slumber. An area where treasures could be found alongside rare-for-a-reasons (Never caught on because there wasn't anything distinctively hooking the reader.) and bland, dust-jacketless books. Nothing caught my eye, but I admit I might have been blind to their value from my inexperience life and fine literature. One thing which made me smile with inward delight were the ladders on rails on one side of the shelves which reached ceiling level. I had never seen one of these systems in person. It made me think of Beauty and the Beast animated Disney film with Belle in the beginning bookstore scene. I restrained myself from hopping on one of them and riding it to the end of a line. I was dressed professionally - it would dishonor the uniform, myself, and most importantly: the books. There is something sacred about the written word in my mind's estimation.

Still, I knew what I was likely to like and asked if there were any books by G.K. Chesterton. The man behind the counter recognized the name and told me it wasn't likely: The man's books didn't stay on the shelves long even though he had been in the grave for the better part of the last century.
I was torn between being pleased and disappointed. The former because I was happy to know that I was not alone in enjoying his works, that people far more intelligent and experienced than I had a desire to pick it up. The displeasure arose from the fact of the lack. I had been hoping to discover an older edition of one of his books, something that I couldn't just order online for cheaper.

Part of the fun of going to secondhand shops is the story to accompany the story. Where and when I got something and how surprised and delighted I was to prosper in gleaning behind the main purchasers. Buying things online may be practical, but it is unromantic and clinical. Part of the reason I want to accumulate wealth stems from a desire to be a patron of bookstores. To be able to afford paying full price for works without a voice whispering that I am spending on books what I could have done on food, lodging, and transportation expenses.

I don't think I will escape it forever, but I should like to be a part of making sure such institutions survive into the next age of humanity. Books make me very happy, and I want to be supportive of people discovering the pleasure of literature in their own tastes and ways. Good night, I am tired.